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Assembly language for processor

 

 Assembly language for processor

 
Assembler or other languages, that is the question. Why should I learn another language, if I already learned other programming languages? The best argument: while you live in France you are able to get through by speaking English, but you will never feel at home then, and life remains complicated. You can get through with this, but it is rather inappropriate. If things need a hurry, you should use the country's language.
Many people that are deeper into programming AVRs and use higher-level languages in their daily work recommend that beginners start with learning assembly language. The reason is that sometimes, namely in the following cases:
 
  • if bugs have to be analyzed,
  • if the program executes different than designed and expected,
  • if the higher-level language doesn't support the use of certain hardware features,
  •  if time-critical in line routines require assembly language portions,
it is necessary to understand assembly language, e. g. to understand what the higher-level language compiler produced. Without understanding assembly language you do not have a chance to proceed further in these cases.
 
 
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Business Communication in English

 

 Business Communication in English


Effective communication skills are essential in the new millennium. Today’s fast-moving, competitive business world requires employees with excellent verbal and written skills. In order to meet this need, business schools strive to produce students with both skills; communication courses stress techniques through term papers, writing assignments, and oral presentations; and managers require employees to participate in appropriate training exercises. 

The published literature on workplace communication skills echoes this concern as textbooks and works offering advice and sure cures for communication problems continue to proliferate. While the business and technical worlds bemoan the absence of competent writing and speaking skills, the rapid pace of the work environment leaves little time for learning and improving these skills.
 
In order to effectively facilitate communication skills for students and practitioners, clear guidelines, well-structured outlines, and pertinent examples are needed. This book serves as a guide to the locations of these essential materials and the research tools needed to acquire them. There are two components to this book. 

The first three chapters serve as a handbook for conducting research in business and technical communication. It answers basic questions on correct grammar and offers research tools (e.g., dictionaries), research resources (e.g., indexes, computer databases, and periodicals), and information sources (e.g., associations, research institutions).

 
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Assembly language programming

 

Assembly language programming


This experiment is the gateway to all that you do in this course, both inside and outside the
Laboratory. It lays the foundation for everything that is to come in the programmer’s view
of computer architecture, showing you some important principles and guiding you through
some of the details of programming for microcontroller-based systems.
 
Aims
This experiment aims to:
  • Introduce simple ARM assembly language instructions, 
  • Show the process of hand-compilation from C to assembly language,
  • Show the programmer’s view of the register and memory,
  • Show the basics of writing and debugging assembly language program for the ARM microprocessor, and 
  • Teach you “best practice” techniques for formatting your code (also known as programming style rules).

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CorelDraw 11 - Urdu Computer Tutorial Book


 
 CorelDraw 11 - Urdu Computer Tutorial Book


This manual is intended to be used by students who would like to learn how to use the CorelDRAW graphics program. It is assumed the student has Windows and mouse experience. This course describes how to get started, use the basic tools, and apply it to various drawings. Step-by-step exercises lead the students through each topic. An end-of-section exercise and a short-answer questionnaire summate each section. Students are strongly encouraged to try the additional Self-Check Assessment exercises after selected sections for extra practice. Comes with a downloadable exercise disk. 
 
 
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Visual Basic 6.0 Tutorial - Urdu PDF

 

 Visual Basic 6.0 Tutorial - Urdu PDF

VISUAL BASIC is a high level programming language which  evolved from the earlier DOS version called BASIC. BASIC means Beginners' All-purpose Symbolic Instruction Code. It is a very  easy programming language to learn. The code look a lot  like English Language. Different software companies produced different versions of BASIC, such as Microsoft QBASIC, QUICKBASIC, GWBASIC ,IBM BASICA and so on. 

However, people prefer to use Microsoft Visual Basic today, as it is a well developed programming language and supporting resources are available everywhere. Now, there are many versions of VB exist in the market, the most popular one and still widely used by many VB programmers is none other than Visual Basic 6. We also have VB.net, VB2005, VB2008 and the latest VB2010. Both Vb2008 and VB2010 are fully object oriented programming (OOP) language. 

VISUAL BASIC is a VISUAL and  events driven Programming Language. These are the main divergence from the old BASIC. In BASIC, programming is done in a text-only environment and the program is executed sequentially. In VB, programming is done in a graphical environment. In the old BASIC, you have to write program code for each graphical object you wish to display it on screen, including its position and its color. However, In VB , you just need to drag and drop any graphical object anywhere on the form, and you can change its color any time using the properties windows. 

On the other hand, because  the user may click on a certain object randomly, so each object has to be programmed independently to be able to response to those actions (events). Therefore, a VB Program is made up of many subprograms, each has its own program code, and each can be executed independently and at the same time each can be linked together in one way or another.

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Artificial Intelligence Structures and Strategies 5th Edition

 

Artificial Intelligence Structures and Strategies 5th Edition


The most general change for the fifth edition was the extension of the material related to
the stochastic approaches to AI. To accomplish we added a completely new Chapter 5 that introduces the stochastic methodology. From the basic foundations of set theory and
counting we develop the notions of probabilities, random variables, and independence. We present and nse Bayes' theorem first with one symptom and one disease and then in its full general form. 

We examine the hypotheses that underlie the use of Bayes and then present the argmax and naive Bayes approaches. We present examples of stochastic reasoning, including several from work in the analysis of language phenomena. We also introduce the idea of conditional independence that leads to our presentation of Bayesian belief networks (BBNs) and d-separation in Chapter 9.
 
 
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Marukh By Razia Butt

 

Marukh By Razia Butt

 
 
 Razia Butt, voice of the middle class women and a prolific writer, was laid to rest in DHA graveyard on Friday. She breathed her last on Thursday night at the age of 89. Born in Rawalpindi in 1924, Razia introduced herself in literary circles in her teens, when she developed her first story, appeared in a literary journal, into a novel, Naila. Razia - popular with many generations of readers - authored around 51 novels and 350 short stories. She also wrote many radio plays. Bano, Dastaan, Najia, Saeqa, Chahatein Kaisey and Naheed are considered her best literary works. Some of her novels were adapted for big screen like Naila and Saiqa.

“Her death is a great loss to Urdu literature. She was one of the greatest women writers of her times,” said renowned columnist Munno Bhai, while talking to Daily Times.

He said that Razia’s contribution to Urdu literature could not be denied and her work would be remembered forever. Razia’s novels and stories not only entertain the readers, but also carry subtle lessons and hidden messages for them.

“She depicted family life, its problems, conflicts among relations and romance. She represented women of the middle and lower middle class in her writings,” said famous poet and writer Amjad Islam Amjad.

He said that Razia’s novels and stories had great impact on readers in the 60s, 70s and 80s.

“It was due to Razia’s literary works that women digests were brought into the market and stories on social issues became popular,” he said. Her critics say that in Razia’s novels, people mostly find the story revolving around romance and love and she entertains readers by creating a beautiful situation through fictitious characters. That’s why she was more popular among women and youth. Her writing skills deserve all praise, as she involves the reader in the story in such a way that soon the reader becomes one of the characters. “Sharing the experience of the character, the reader faces reality at close range and faces trials and tests of life, the nature of which he has never experienced before. As such Chahatein Kaisey strengthens the character of the one who reads it and prepares him for the worst,” said one of his admirers.

“I met her and found her a loving, kind, generous and simple woman. She was very popular in her times, but she never boasted of it,” said Amjad Islam Amjad.
 

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Mehro By Razia Butt

 

Mehro By Razia Butt

 
 
 Razia Butt, voice of the middle class women and a prolific writer, was laid to rest in DHA graveyard on Friday. She breathed her last on Thursday night at the age of 89. Born in Rawalpindi in 1924, Razia introduced herself in literary circles in her teens, when she developed her first story, appeared in a literary journal, into a novel, Naila. Razia - popular with many generations of readers - authored around 51 novels and 350 short stories. She also wrote many radio plays. Bano, Dastaan, Najia, Saeqa, Chahatein Kaisey and Naheed are considered her best literary works. Some of her novels were adapted for big screen like Naila and Saiqa.

“Her death is a great loss to Urdu literature. She was one of the greatest women writers of her times,” said renowned columnist Munno Bhai, while talking to Daily Times.

He said that Razia’s contribution to Urdu literature could not be denied and her work would be remembered forever. Razia’s novels and stories not only entertain the readers, but also carry subtle lessons and hidden messages for them.

“She depicted family life, its problems, conflicts among relations and romance. She represented women of the middle and lower middle class in her writings,” said famous poet and writer Amjad Islam Amjad.

He said that Razia’s novels and stories had great impact on readers in the 60s, 70s and 80s.

“It was due to Razia’s literary works that women digests were brought into the market and stories on social issues became popular,” he said. Her critics say that in Razia’s novels, people mostly find the story revolving around romance and love and she entertains readers by creating a beautiful situation through fictitious characters. That’s why she was more popular among women and youth. Her writing skills deserve all praise, as she involves the reader in the story in such a way that soon the reader becomes one of the characters. “Sharing the experience of the character, the reader faces reality at close range and faces trials and tests of life, the nature of which he has never experienced before. As such Chahatein Kaisey strengthens the character of the one who reads it and prepares him for the worst,” said one of his admirers.

“I met her and found her a loving, kind, generous and simple woman. She was very popular in her times, but she never boasted of it,” said Amjad Islam Amjad.
 
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Musarraton Ka Shehar By Razia Butt

 

Musarraton Ka Shehar By Razia Butt 


 
 
 Razia Butt, voice of the middle class women and a prolific writer, was laid to rest in DHA graveyard on Friday. She breathed her last on Thursday night at the age of 89. Born in Rawalpindi in 1924, Razia introduced herself in literary circles in her teens, when she developed her first story, appeared in a literary journal, into a novel, Naila. Razia - popular with many generations of readers - authored around 51 novels and 350 short stories. She also wrote many radio plays. Bano, Dastaan, Najia, Saeqa, Chahatein Kaisey and Naheed are considered her best literary works. Some of her novels were adapted for big screen like Naila and Saiqa.

“Her death is a great loss to Urdu literature. She was one of the greatest women writers of her times,” said renowned columnist Munno Bhai, while talking to Daily Times.

He said that Razia’s contribution to Urdu literature could not be denied and her work would be remembered forever. Razia’s novels and stories not only entertain the readers, but also carry subtle lessons and hidden messages for them.

“She depicted family life, its problems, conflicts among relations and romance. She represented women of the middle and lower middle class in her writings,” said famous poet and writer Amjad Islam Amjad.

He said that Razia’s novels and stories had great impact on readers in the 60s, 70s and 80s.

“It was due to Razia’s literary works that women digests were brought into the market and stories on social issues became popular,” he said. Her critics say that in Razia’s novels, people mostly find the story revolving around romance and love and she entertains readers by creating a beautiful situation through fictitious characters. That’s why she was more popular among women and youth. Her writing skills deserve all praise, as she involves the reader in the story in such a way that soon the reader becomes one of the characters. “Sharing the experience of the character, the reader faces reality at close range and faces trials and tests of life, the nature of which he has never experienced before. As such Chahatein Kaisey strengthens the character of the one who reads it and prepares him for the worst,” said one of his admirers.

“I met her and found her a loving, kind, generous and simple woman. She was very popular in her times, but she never boasted of it,” said Amjad Islam Amjad.
 
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Ek Larki By Razia Butt

 

 Ek Larki By Razia Butt

 
 
 Razia Butt, voice of the middle class women and a prolific writer, was laid to rest in DHA graveyard on Friday. She breathed her last on Thursday night at the age of 89. Born in Rawalpindi in 1924, Razia introduced herself in literary circles in her teens, when she developed her first story, appeared in a literary journal, into a novel, Naila. Razia - popular with many generations of readers - authored around 51 novels and 350 short stories. She also wrote many radio plays. Bano, Dastaan, Najia, Saeqa, Chahatein Kaisey and Naheed are considered her best literary works. Some of her novels were adapted for big screen like Naila and Saiqa.

“Her death is a great loss to Urdu literature. She was one of the greatest women writers of her times,” said renowned columnist Munno Bhai, while talking to Daily Times.

He said that Razia’s contribution to Urdu literature could not be denied and her work would be remembered forever. Razia’s novels and stories not only entertain the readers, but also carry subtle lessons and hidden messages for them.

“She depicted family life, its problems, conflicts among relations and romance. She represented women of the middle and lower middle class in her writings,” said famous poet and writer Amjad Islam Amjad.

He said that Razia’s novels and stories had great impact on readers in the 60s, 70s and 80s.

“It was due to Razia’s literary works that women digests were brought into the market and stories on social issues became popular,” he said. Her critics say that in Razia’s novels, people mostly find the story revolving around romance and love and she entertains readers by creating a beautiful situation through fictitious characters. That’s why she was more popular among women and youth. Her writing skills deserve all praise, as she involves the reader in the story in such a way that soon the reader becomes one of the characters. “Sharing the experience of the character, the reader faces reality at close range and faces trials and tests of life, the nature of which he has never experienced before. As such Chahatein Kaisey strengthens the character of the one who reads it and prepares him for the worst,” said one of his admirers.

“I met her and found her a loving, kind, generous and simple woman. She was very popular in her times, but she never boasted of it,” said Amjad Islam Amjad.
 
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Mujrim Kon By Razia Butt

 

Mujrim Kon By Razia Butt

 
 
 Razia Butt, voice of the middle class women and a prolific writer, was laid to rest in DHA graveyard on Friday. She breathed her last on Thursday night at the age of 89. Born in Rawalpindi in 1924, Razia introduced herself in literary circles in her teens, when she developed her first story, appeared in a literary journal, into a novel, Naila. Razia - popular with many generations of readers - authored around 51 novels and 350 short stories. She also wrote many radio plays. Bano, Dastaan, Najia, Saeqa, Chahatein Kaisey and Naheed are considered her best literary works. Some of her novels were adapted for big screen like Naila and Saiqa.

“Her death is a great loss to Urdu literature. She was one of the greatest women writers of her times,” said renowned columnist Munno Bhai, while talking to Daily Times.

He said that Razia’s contribution to Urdu literature could not be denied and her work would be remembered forever. Razia’s novels and stories not only entertain the readers, but also carry subtle lessons and hidden messages for them.

“She depicted family life, its problems, conflicts among relations and romance. She represented women of the middle and lower middle class in her writings,” said famous poet and writer Amjad Islam Amjad.

He said that Razia’s novels and stories had great impact on readers in the 60s, 70s and 80s.

“It was due to Razia’s literary works that women digests were brought into the market and stories on social issues became popular,” he said. Her critics say that in Razia’s novels, people mostly find the story revolving around romance and love and she entertains readers by creating a beautiful situation through fictitious characters. That’s why she was more popular among women and youth. Her writing skills deserve all praise, as she involves the reader in the story in such a way that soon the reader becomes one of the characters. “Sharing the experience of the character, the reader faces reality at close range and faces trials and tests of life, the nature of which he has never experienced before. As such Chahatein Kaisey strengthens the character of the one who reads it and prepares him for the worst,” said one of his admirers.

“I met her and found her a loving, kind, generous and simple woman. She was very popular in her times, but she never boasted of it,” said Amjad Islam Amjad.
 
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Naheed By Razia Butt

 

 Naheed By Razia Butt

 
 
 Razia Butt, voice of the middle class women and a prolific writer, was laid to rest in DHA graveyard on Friday. She breathed her last on Thursday night at the age of 89. Born in Rawalpindi in 1924, Razia introduced herself in literary circles in her teens, when she developed her first story, appeared in a literary journal, into a novel, Naila. Razia - popular with many generations of readers - authored around 51 novels and 350 short stories. She also wrote many radio plays. Bano, Dastaan, Najia, Saeqa, Chahatein Kaisey and Naheed are considered her best literary works. Some of her novels were adapted for big screen like Naila and Saiqa.

“Her death is a great loss to Urdu literature. She was one of the greatest women writers of her times,” said renowned columnist Munno Bhai, while talking to Daily Times.

He said that Razia’s contribution to Urdu literature could not be denied and her work would be remembered forever. Razia’s novels and stories not only entertain the readers, but also carry subtle lessons and hidden messages for them.

“She depicted family life, its problems, conflicts among relations and romance. She represented women of the middle and lower middle class in her writings,” said famous poet and writer Amjad Islam Amjad.

He said that Razia’s novels and stories had great impact on readers in the 60s, 70s and 80s.

“It was due to Razia’s literary works that women digests were brought into the market and stories on social issues became popular,” he said. Her critics say that in Razia’s novels, people mostly find the story revolving around romance and love and she entertains readers by creating a beautiful situation through fictitious characters. That’s why she was more popular among women and youth. Her writing skills deserve all praise, as she involves the reader in the story in such a way that soon the reader becomes one of the characters. “Sharing the experience of the character, the reader faces reality at close range and faces trials and tests of life, the nature of which he has never experienced before. As such Chahatein Kaisey strengthens the character of the one who reads it and prepares him for the worst,” said one of his admirers.

“I met her and found her a loving, kind, generous and simple woman. She was very popular in her times, but she never boasted of it,” said Amjad Islam Amjad.
 
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Naila By Razia Butt

 

Naila By Razia Butt

 
 
 Razia Butt, voice of the middle class women and a prolific writer, was laid to rest in DHA graveyard on Friday. She breathed her last on Thursday night at the age of 89. Born in Rawalpindi in 1924, Razia introduced herself in literary circles in her teens, when she developed her first story, appeared in a literary journal, into a novel, Naila. Razia - popular with many generations of readers - authored around 51 novels and 350 short stories. She also wrote many radio plays. Bano, Dastaan, Najia, Saeqa, Chahatein Kaisey and Naheed are considered her best literary works. Some of her novels were adapted for big screen like Naila and Saiqa.

“Her death is a great loss to Urdu literature. She was one of the greatest women writers of her times,” said renowned columnist Munno Bhai, while talking to Daily Times.

He said that Razia’s contribution to Urdu literature could not be denied and her work would be remembered forever. Razia’s novels and stories not only entertain the readers, but also carry subtle lessons and hidden messages for them.

“She depicted family life, its problems, conflicts among relations and romance. She represented women of the middle and lower middle class in her writings,” said famous poet and writer Amjad Islam Amjad.

He said that Razia’s novels and stories had great impact on readers in the 60s, 70s and 80s.

“It was due to Razia’s literary works that women digests were brought into the market and stories on social issues became popular,” he said. Her critics say that in Razia’s novels, people mostly find the story revolving around romance and love and she entertains readers by creating a beautiful situation through fictitious characters. That’s why she was more popular among women and youth. Her writing skills deserve all praise, as she involves the reader in the story in such a way that soon the reader becomes one of the characters. “Sharing the experience of the character, the reader faces reality at close range and faces trials and tests of life, the nature of which he has never experienced before. As such Chahatein Kaisey strengthens the character of the one who reads it and prepares him for the worst,” said one of his admirers.

“I met her and found her a loving, kind, generous and simple woman. She was very popular in her times, but she never boasted of it,” said Amjad Islam Amjad.
 
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Najia By Razia Butt

 

Najia By Razia Butt

 
 
 Razia Butt, voice of the middle class women and a prolific writer, was laid to rest in DHA graveyard on Friday. She breathed her last on Thursday night at the age of 89. Born in Rawalpindi in 1924, Razia introduced herself in literary circles in her teens, when she developed her first story, appeared in a literary journal, into a novel, Naila. Razia - popular with many generations of readers - authored around 51 novels and 350 short stories. She also wrote many radio plays. Bano, Dastaan, Najia, Saeqa, Chahatein Kaisey and Naheed are considered her best literary works. Some of her novels were adapted for big screen like Naila and Saiqa.

“Her death is a great loss to Urdu literature. She was one of the greatest women writers of her times,” said renowned columnist Munno Bhai, while talking to Daily Times.

He said that Razia’s contribution to Urdu literature could not be denied and her work would be remembered forever. Razia’s novels and stories not only entertain the readers, but also carry subtle lessons and hidden messages for them.

“She depicted family life, its problems, conflicts among relations and romance. She represented women of the middle and lower middle class in her writings,” said famous poet and writer Amjad Islam Amjad.

He said that Razia’s novels and stories had great impact on readers in the 60s, 70s and 80s.

“It was due to Razia’s literary works that women digests were brought into the market and stories on social issues became popular,” he said. Her critics say that in Razia’s novels, people mostly find the story revolving around romance and love and she entertains readers by creating a beautiful situation through fictitious characters. That’s why she was more popular among women and youth. Her writing skills deserve all praise, as she involves the reader in the story in such a way that soon the reader becomes one of the characters. “Sharing the experience of the character, the reader faces reality at close range and faces trials and tests of life, the nature of which he has never experienced before. As such Chahatein Kaisey strengthens the character of the one who reads it and prepares him for the worst,” said one of his admirers.

“I met her and found her a loving, kind, generous and simple woman. She was very popular in her times, but she never boasted of it,” said Amjad Islam Amjad.
 
 
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